‘This set is obviously the outcome of a thorough, deeply pondered approach. It more then renders justice to Sweelinck’s music by bringing out its variety.
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Dances ; Variations ; For organ ; Scores featuring the organ ; For 1 player ; For harpsichord ; Scores featuring the harpsichord ; For 4 recorders arr ; Scores featuring the recorder ; For 4 players ; For trumpet, organ arr ; Scores featuring the trumpet ; For 2 players ; For 2 lutes arr ; Scores featuring the lute ; For 2 guitars arr ; Scores featuring the guitar ; For lute, treble instrument arr ; Scores with open instrumentation ; For organ arr.
In the second variation the hands are reversed: Master and pupil even made a set of variations completely in alternation, those on the “Pavana hispanica.
Garnduca consists of a series of five short musical phrases lasting four beats each, basically in chordseach one concluded by a cadence. Grandduca Orgues Historiques Historic Organs. Great Organ Builders of America: The Complete Keyboard Works. The first “variation” sets out the theme in this case, with little in the way of ornamentation.
Ballo del Granduca, for organ… | Details | AllMusic
The style of the composition is influenced by the two major currents grandcua the period: If performed I would look forward about a small reference to my efforts. Creative Commons Attribution-ShareAlike 4. The Legendary Danish Organist, Vol.
Whether these variations came from the teacher or the student — or both in alternation — we can still enjoy what wit and invention they display.
Ballo del Granduca, SwWV 319 (Sweelinck, Jan Pieterszoon)
Languages Italiano Edit grandhca. Fewer than pieces survive, and nearly all are handwritten copies by other people. Contents 1 Performances 1. The composition is based on the theme of a dance of entitled “O che nuova miracolo”, an intermedio from the comedy Intermedi della Pellegrinacomposed by Emilio de’ Cavalieri on the occasion of the wedding of Ferdinando I de’ Medici to Christina of Lorraine.
The piece ends with the fourth variation, the most challenging, where the right hand constantly performs third and sixth chords. The third variation contains most ball the semicircular passages typical of the Sweelinck style.
Editor Pierre Gouin – Contact. The first grnduca shows several passages for the right hand with eighth notes and sixteenth noteswhile the left hand performs an accompaniment in chords with two and three voices.
The second variation sets a more florid melody over the same harmonic bass that was established in the first; the third reverses the procedure, with a running bass line as an undercurrent to the simple chordal upper baloo.
Ballo del Granduca, for organ (doubtful; probably by Samuel Scheidt). SwWV 319
Historic Organs of Boston. Streams Videos All Posts. Introspection Late Night Partying. These file s are baklo of the Werner Icking Music Collection. Creative Commons Attribution Non-commercial 3.
Unfortunately, they allow some infelicities in the voice-leading to be a bit more prevalent; perhaps these were “guest” variations after all. The theme of the composition, later known as “Aria di Fiorenza” or “Ballo del Granduca”, quickly gained renown in Europe and became the basis for at least other songs, contemporary and later.
Authorship Note The attribution of this work to Sweelinck is questionable. Chorale [ clarification needed ] with four variations.
Lower and a bit easier Version. Drinking Hanging Out In Love. Harpsichord in the Netherlands. Genre Categories Dances ; Variations ; For organ ; Scores featuring the organ ; For 1 player ; For harpsichord ; Scores featuring the harpsichord ; For 4 recorders arr ; Scores featuring the recorder ; For 4 players ; For trumpet, organ arr ; Scores featuring the trumpet ; For 2 players ; For 2 lutes arr ; Scores featuring the lute ; For 2 guitars arr ; Scores featuring the guitar ; For lute, treble instrument arr ; Scores with open instrumentation ; For organ arr.
Famous Works For Organ. Retrieved from ” https: Creative Commons Attribution-NonCommercial 4. Jazz Latin New Age. Master of the Dutch Renaissance. Performer Pages Steve Wiberg Organ. The theme of the composition, which forms the basis for the variations, offers the improviser considerable of freedom. It consists of a string of short and clearly cut musical phrases, with a basically chordal texture begging for embellishmentand coming to rest on cadences on a large number of contrasting pitches.
The dance includes a theme although the score labels it 1e Variatie and four variations or five, if we count the theme as a first variation.