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In this poem, Bukowski will tell us a brutal story about his childhood, about the abuse that he and his mother suffered at the hands of the father for several years. This knowledge includes, as we have seen, an awareness of his personality, work, style and intention, which can give the translator the keys to produce a good version in the Spanish language.
By means of these writing techniques, Bukowski transmits a message not only through the content of a poem, but also through its form. I drive around the streets an inch away from weeping, ashamed of my sentimentality and possible love. This device also covers the use of linguistic elements belonging almost exclusively to oral communication, such as dialectic elements and colloquialisms. Charles Bukowski calls on these devices to drl the existentialist tone of the poem-story.
The first one is the spontaneous speech, displayed through exclamation marks, as well as repetitions and questions typical of oral speech. For instance, in a moment of deep love, he wrote: Charles Bukowski builds up his ironic verses through a contradictory mechanism: Fernanda Pivano interviews Charles Bukowski. Always fluctuating between the colloquial and the refined, between the prosaic and the poetic, between the raw and the lyricism, the complexity of this author make of his work a paradox in itself, filled with contradictions.
This powerful piece of writing problematizes domestic violence by means of metaphors and a dialogued scene, always respecting the canonical disposition of stanzas and verses. Considering the text about to be produced as if it was a mental image, the writer must let the resulting words and ideas flow out of his head. Bukowski uses this resource while taking carefully into consideration the form of his creations, thus expressing himself with a unique voice.
Among other things, it is so because the writer kept several friendship bonds with female friends and colleagues all along his life. By way of this device, he causes a feeling of uncertainty and a sentimental paradox in the reader. Dl kneel in the nights me arrodillo por las noches before tigers ante tigres that will not let me be. And neither can I.
This principle will be recurrent in Bukowski. In addition, we find a sad paradox in the way that the mother elicits Henry to smile and to be happy while she and her son are mistreated and suffer the undeserved violence of an abusive father.
However, the special and innovative use of this punctuation mark in Spanish may give a sense of artificiality to the poem, and therefore it needs to be used carefully. However, love does take a leading role in his poetry with more than a hundred fifty poems dedicated to that matter, to the limits of love and to its heartbreaks. Se escribe pegada a la palabra o el signo que la precede y separada por un espacio de la palabra o el signo que la sigue.
The metaphor of the mother and Henry Bukowski himself embodying the goldfish seems evident here. There is also a sense of chaos and paradoxical humor in the spontaneous speech more typical of a Surrealist work, as Margenat affirms. Humor is another distinctive element in Bukowski and also needs to be taken into consideration when translating.
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The Raw Lyricism Abstract Charles Bukowski is one of the most important and influential American writers of the twentieth century. The harsh reality he describes in his verses is very often imbued with irony. Skip to main content.
Conclusion Once that we have analyzed the two poems, and after condendao gone through all the features required to produce a good translation in the target language Spanish, in our casewe may understand now the complexity of translating an author like Charles Bukowski. Pretended orality is accurately defined by Margenat as the concept used to describe a writer that makes use of some devices in his writing to simulate or transmit oral usage.
Pretended orality embodies a series of features. The tigers mentioned in the poem are a metaphor for grief, solitude and sadness, and Bukowski is their target: I don’t quite know what to do for them.
Their tortuous relationship was based on multiple arguments and reconciliations. He would write poems about her placrres thirty years after her death. On many occasions, we find that the identity of the man who writes is that of the man he is writing about.