Deeper than Reason takes the insights of modern psychological and Robinson begins by laying out a theory of emotion, one that is. This book sets out to examine the role of emotion in both the construction and reception of art. It begins by a survey of recent theories of emotion and then. Jenefer Robinson. · Rating details · 21 ratings · 3 reviews. Deeper than Reason takes the insights of modern scientific research on the emotions and uses.
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Deeper than Reason – Paperback – Jenefer Robinson – Oxford University Press
Elisabeth Camp – – Analytic Philosophy 54 3: This possibility, together with Robinson’s account of the “jazzercise robinsob in the final part of the book, complicates her theory of emotion. Don’t have an account? Expressing Emotions in the Arts 8. Added to PP index Total downloads 8, of 2, Recent downloads 6 months 12 41, of 2, How can I increase my downloads?
Deeper than Reason: Emotion and its Role in Literature, Music, and Art
Jenefer Robinson, Deeper Than Reason: But she does not show that these changes are produced by automatic affective appraisals; so we cannot rule out the possibility that these physiological deeoer are produced, not by an affective appraisal, but rather by a cognitive appraisal, or by some other means.
This jendfer is not yet featured on Listopia. Robinson does concede that the physiological changes that are typically produced by affective appraisals are independent of them and can be produced without them.
Classical, Early, and Medieval World History: More This book takes the insights of modern psychological and neuroscientific research on the emotions and brings them to bear on questions about our emotional involvement with the arts.
Emotions are not states, but processes. Emotional Responses to Music: Johnny marked it as to-read Jan 25, The physiological changes produced in an emotion serve the evolutionary function of directing our attention in appropriate ways, such as reorienting one’s body to get visual information about the stimulus, as Robinson argues happens in startle responses.
Music and the Jeneferr The actual analyses that constitute the bulk of the book were, to my mind, simultaneously thin and tendentious.
Robinson’s account of emotion purports to apply uniformly to emotions in response to art and to emotions in response to real life events. This book is available as part of Oxford Scholarship Online – view abstracts and keywords at book and chapter level. Feeling the Music But she does not show that the readers make affective appraisals.
Deeper than Reason: Emotion and its Role in Literature, Music, and Art – Oxford Scholarship
Steven marked it as to-read Apr 24, Hala Bala marked it as to-read Jan 19, Open Preview See a Problem? Varieties of Extended Emotions. It begins by a survey of recent theories of emotion and then applies them to the action of emotion in the fields of literature, music and, to a lesser extent, painting.
In this book, Robinson convincingly shows how the expression and experience of emotion play a central role in the appreciation and creation of artworks.
No trivia or quizzes yet. If we form a cognitive judgment that appropriately correlates with an affective appraisal that would normally form the core of an emotion, and yet we do not have the corresponding physiological response, then Robinson concludes that our emotion is not “bona fide” Robinson makes good use of an extended example, and ends with an provocative emendation to her theory of emotion: The other three sections each build on this work, applying her theory to philosophical problems in literature, expression, and music, respectively.
Want to Read Currently Reading Read. Matt marked it as to-read May 28, NO According to Robinson, the first two columns are unproblematic: The first of these is the most distinctive and the most important.
However, these concerns do not in any way diminish Robinson’s accomplishment in this book. Emotion, the Bodily, and the Cognitive.
Part Two Emotion in Literature. Published May 1st by Clarendon Press first published April 7th She here re-examines the Freudian perspective of Norman Holland who considered content as impulse and form as defense. Want to Read saving….
Deeper Than Reason: Emotion and Its Role in Literature, Music, and Art
According to Robinson, the first two columns are unproblematic: A journal devoted to study of the Rohinson world Publisher: Rick Anthony Furtak – – Philosophical Explorations 13 1: Tero rated it liked it Sep 04, From the Publisher via CrossRef no proxy Setup an account with your affiliations in order to access resources via your University’s proxy server Configure custom proxy use this if your affiliation does not provide a proxy.
Ddeeper – – Oxford University Press.
Peter Goldie – – Oxford University Press. I’ll return to this phenomenon below.
The third column represents the possibility that Robinson suggests may not be actual: