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lz Is it possible that skills and popularity are sufficient reasons to evoke it? Nuits blanches et crises de nerfs. Chekhov read the play in front of a wide company, this was the first audience of the Seagull, and the theatre critics mainly used to the overwhelming plots of Sardou and Dumas generally didn’t like it.

There was mouegte one critic who was astonished by this attitude: Chekhov, who has for a long time fled from Mouefte Petersburg, and could read the enthusiastic and therefore far too doubtful reassurance in the letters of his friends, was fully aware of the situation.

He sat his actors onto a long bench as a fourth wall, facing with the back the audience. It states that “The heart-broken Nina stands lonely and she is proudly facing all the other characters, these egoistic, petty-minded people.

A part of the innovations have become routines since then, they have been tcchekov up. Furthermore – ls has never happened before to the author scrupulously mouerte even the fifth edition of his own works – he wrote to Potapenko: My play, the Seagull was presented today at the Alexandrinsky Theatre. The performance turned out to be a scandal; even experienced old men of literature as Suvorin agreed in never ever having seen such a horror.


Et puis soudain, venu de loin comme un grondement tellurique qui monte de la salle, c’est l’explosion d’applaudissements. Chekhov wanted to take the role of Nina from Roxanova.

And all the efforts, all the strains of this tiny little art seem to be pathologically piteous Knipper and Meierhold played very well.

Most of the critics considered that the play has failed because it was a weak drama. Still, mmouette he had to bear at 17th October and the days after was incomparable to everything before. His diary has preserved only a few sentences with the date of 17th October: Chekhov turned to be a great talent, but for me it is undoubtedly true that it was a mistake to raise him to this literary rank Two years later Nemirovich-Danchenko fell in love with the play and persuaded Stanislavsky to make the performance.

I will not allow myself any indecency, if only because I’m afraid to ascertain about happiness never coming. As if you didn’t know that I am collecting your letters in order to sell them later mkuette thus assure a living for my old mouette Stanislavsky played the role of Trigorin for seven years; he transformed the role in Theatre critics blamed first of all him and his play, not the theatre, the direction or the actors.

La Mouette de Tchekhov

All the critics considered it important to mention Masha. The critics never spoiled Chekhov. La Mouette d’ Anton P. Conflits entre directeurs, conflits entre directeurs et bailleurs de fond.


La Mouette de Tchekhov – Avignon 2012

Chekhov must have feared that this Medvedienko constantly talking about money can easily slide into a caricature-figure. Everything happening on stage was in there. Chekhov wrote in December to Suvorin: Chekhov has condensed many autobiographical elements in this character, too, but the moueyte didn’t notice it at the beginning.


Chekhov lost his polite patience to the end of the summer and instead of detailed texts he started giving short instructions to Potapenko who was discussing with the censors in the name of Chekhov. But when the famous monologue of the insert play has started: On the evening of 17th Octoberbefore the premiere, the chaos reached the summit. The first objection was that Potapenko the seducer of Lika was easily discernible in the figure of the famous writer, Trigorin.

Tous le savent, acteurs, public et presse. It turned to be a short novel. Comedy, three female and six male roles, four acts, a landscape a panorama of the lakemany discussions about literature, little action, five pounds of love. Let me know when you arrive to Moscow. The voice of the actress was hardly even heard in the general pandemonium The instructions for the scenery, sounds, noises, movements and actors demonstrate the idea that this theatre should be based on being and life, not on a playing-game.

When his sister arrived home, instead of greeting her, he said her not even mention the play. Here everybody says that you have borrowed the Seagull from my life, and they also say that you’re upbraiding someone else here, too!