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Franz Liszt. Die Forelle (II), transcription for piano (after Schubert, D. ), S. (LW A). Composition Information ↓; Description ↓; Appears On ↓. Listen to the first track, Die Forelle (in Liszt’s less familiar but no less inventive second version), where both the melodic line and the accompaniment are. These three songs were printed with alternative texts: with Die Gestirne, the third of the four Geistliche Lieder, the whole introduction is rewritten for a piano with.

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Christian Friedrich Daniel Schubart Most of you err only from lack Of cleverness. Liszt shows considerable imagination in his handling of the theme and of his harmonies, making the music about as native to the piano di the Schubert original was to the realm of lieder. An die Entfernte D. Werke von Schubert, Liszt, Schumann und Godowsky.

Franz Schubert’s Music in Performance: In this second version Liszt takes the Schubert song and fashions a new introduction, adding a cadenza of considerable brilliance. By using this site, you agree to the Terms of Use and Privacy Policy.

Grablied auf einen Soldaten D. Auf einen Kirchhof D. Drinking Hanging Out In Love. La pastorella al prato D. The final version has “a five-bar piano prelude” [29] and is presently in the Gertrude Clarke Whittall Foundation Collection of the Library of Congress.


Die Forelle, D.550 (Schubert, Franz)

AllMusic relies heavily on JavaScript. Die vier Weltalter D. Trinklied vor der Schlacht D. I suggest that, if possible, you sample before you buy. Adelwold und Emma D.

The Complete Song Texts. Daphne am Bach D.

Schubert-Liszt Tanscriptions Die Forelle; Schwanengesang |

Retrieved 12 March Der Tod Oskars D. In the alternative text to the first version of Meeresstillethe bass tremolos and chromatic figures are replaced with simple chords. Jorge Bolet Plays Liszt. Alte Liebe rostet nie D. Stimme der Liebe D. Wonne der Wehmut D.

Liszt and His World: Die Macht der Liebe D. Ultimate Classical Chill Out: Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. Schubert’s theme, carefree and optimistic, shines through here in Liszt’s hands and, in the end, the piece is one of his more effective transcriptions.

An eine Quelle D. Occasionally he does sustain the melodic line, even if lidzt is reluctant to project it fully: Eine altschottische Ballade D.

Aus Diego Manazares D. Vor meiner Wiege D. Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first. Gretchen am Spinnrade D. Die Befreier Europas in Paris D. When Liszt transcribed music his approach in adapting the score to the piano varied widely, from the fairly literal, as with the Beethoven Symphonies, to paraphrases as typified in his various Verdi opera paraphrases and in Die Forelle, to Fantasies, which allowed him considerable freedom, as found in the Fantasy and Fugue on a Theme of Bach, which he transcribed for both organ and piano.


Der Hirt auf dem Felsen. Meist fehlt ihr nur aus Mangel Der Klugheit. Son fra l’onde D.

Die Forelle (II), transcription… | Details | AllMusic

Schubert wrote Die Forelle The Troutset to texts by Christian Schubart, inand later reused its theme in the third movement of his famous Trout Quintet, writing a set of variations based on it. Selma und Selmar D. The different verse is the third, and it demonstrates the “admixture rie dramatic traits” in the lyrical song, [23] which Fischer-Dieskau calls “a classic example of the strophic song with Abgesang