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Songs in this series. 1. ¿Con qué la lavaré? 2. Vos me matásteis; 3. ¿De dónde venís, amore? 4. De los álamos vengo, madre. Composer; Performances. [translations by John Glenn Paton]. Cuatro Madrigales Amatorios () [ anonymous]. Joaquin Rodrigo. ¿Con qué la lavaré? (–). Vos me matásteis. Cuatro madrigales amatorios (). Compose date: Duration: 8′. Editor: Chester. Orchestration: soprano 2 (1) 1 0 1 1 0 0 Str. Versions: Original for voice.

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It’s understandable that Rodrigo would strive to honor these works. This endorsement proved a great boon to the popularity of the villancico, which rose to prominence at this time as a polyphonic form which we hear today in many great madrigals. Beautiful Dorian-mode harmonies begin the work.

En Aranjuez con tu amor. Works were no longer solely written for court use; in the 16th century there can be found a wealth of folk music very much oriented amatodios the Spanish peasant. Streams Videos All Posts. Shall it be “timidly Composed inthis collection of four love songs is drawn almost entirely from 16th century vocal music.

Madrigales (4) amatorios, for… | Details | AllMusic

AllMusic relies heavily on JavaScript. Romantic Evening Sex All Themes. There is a steadily increasing Spanish-style melisma and skips of a perfect fourth in those passages that refer to the swaying of madrigals trees in the wind. The final exhortation is accompanied by light music box-like tinkling patterns in the high piano registers at a pianissimo dynamic, which leaves an aura of unreality hanging in the air at the conclusion of the whole set.


Fuenllana modernized these songs by rewriting them for vihuela, while Rodrigo casts them in a more contemporary light by orchestrating them for an ensemble befitting the 20th century, with a full orchestra sound complete with strings and winds. Nothing else in Rodrigo’s catalogue is more heavily influenced by folk music than his “Cuatro Madrigales Amatorios”. Jazz Latin New Age.

Madrigales (4) amatorios, for voice & piano (or soprano & orchestra)

The text repeats and gradually adds more lines, eventually marrigales a complete image in which the mother is urged to go to see the popular trees in Seville, where the singer’s beautiful girlfriend lives. Introspection Late Night Partying. All three of these were originally written by Miguel de Fuenllana. Themes of anguish and pain seemed to be characteristic of the Golden Age; in a time when arts and literature were flourishing, it became fashionable to share in the hardship experienced by the lower class.

Songs and Madrigals for Soprano and Orchestra. The text, which is only four lines long, is repeated in isolated phrases and reharmonized, taking on a surreal character as a result of this obsessiveness.

Share on facebook twitter tumblr. Fuenllana wrote his three madrigals as part of his “Orphenica Lyra”, which was composed for the court of Prince Phillip II. Rodrigo himself was heavily influenced by the Spanish Civil War, a pivotal aspect of which was the struggle of the lower and middle class against the burguesia, or the elite.

Sur Les Ailes du Chant. This may seem to be at odds with the “popular” focus of art in the Golden Age – however, during this time it was a philosophy embraced as much by the upper class as much as it was by the Spanish citizens.


In “Vos me matasteis” leftthe soloist performs a song of love which comes straight out of Spanish peasant culture, expressing heartbreak which the elite were likely not overly familiar with.

Songs from the Exotic.

The Maiden and the Nightingale: It is an ambiguous history which proves the practice of adaptation in music composition. The melody itself has a lively Latin folk flavor accompanied by “wrong-note” tone clusters and tinkling motoric patterns.

AllMusic Featured Composition Noteworthy. This led to a fascination with, and romanticization of, “peasant” music in the royal court.

Indeed, it was during a time of intense pain that he composed part of his most recognized piece, the Concierto De Aranjuez. This renewed focus amatoorios the citizenry, rather than the aristocracy, had a profound influence on the music being composed at the time. With what then shall I bathe? It was the elite’s amatorio with romantic adversity which served to popularize such a broad musical movement, and gave birth to some of the time’s most exemplary art. Madrigqles fourth madrigal, De donde venis, amore?

Genre Vocal Music Classical. Songs from the Soul.